
I just now worked this image of nearly the same composition from five years ago. I took this shot with my old Sony R1. Take a look at the preceding post.

I just now worked this image of nearly the same composition from five years ago. I took this shot with my old Sony R1. Take a look at the preceding post.

I first photographed this small lake near Tuolumne Meadows in 2009. I saw the potential in my images, but those photographs fell short of what I saw as their potential. I am not convinced yet that what I am sharing here is it either. This is closer though.

HOLDING OFF THE ELEMENTS AS LONG AS POSSIBLE, A STRUCTURE IN THE GHOST TOWN OF BODIE STILL SURVIVES THE ELEMENTS
I am still working on the photographs from my recent trip to the east-side of the Sierra Nevada. In the not-to-distant past, I would have already printed many of these images. I am holding off on printing until I work each candidate on several different occasions. I make copies of each variation and review up to three or four iterations of each composition. I then review each in the print module of Light Room, and rate accordingly (I start out with one star for the initial pick, and I eventually will give the preferred images a second star and so on until I select the best variant of that image and give it a higher rating yet).
I reworked this image this morning, lightening up the dark wood on the end of this building. Yesterday, I worked the sky, and the day prior, I did a small amount of cropping. It is now up to a four star rating.

Tourists Looking Toward Yosemite Valley from Olmsted Point

The Ever Evolving Color Scheme Reminds Me That Beauty is Truly in the Eye of the Beholder

While at Bodie two weeks ago, I photographed a series of windows. I worked on the over the past day or so. Here is an example of what I have at this point.

Bodie Relic, May 2014
I am working my Bodie photographs from my recent trip to the east-side of the Sierra Nevada, Mono Lake, and Yosemite.

Interior Grace Cathedral, San Francisco, May 31, 2014
I was enchanted by the the effect of the blue and red streamers that hang from the ceiling of this immense space.

There is something very special about standing in a remote and unfamiliar environment during the dark hours. It is especially so to do so without the intrusion of artificially created light pollution. I think that I speak for many of us when I declare that we all need to expose ourselves to the elements of the night. I think it is important to do so without being “connected” via modern technology, IE cell phones and other distractions, that may take one’s awareness elsewhere during the experience. Of course one may argue that my having the camera, and my busyness with photographing brings that element of modernity into the mix. I assert that instead of a distraction, the camera allows me to focus my attention to the aesthetic possibilities, and that it promotes my awareness.

I suppose that I may sound trite by adding some form of written meaning to some of my recent images, but I cannot help myself. I am not a student of modern fantasy, but I did grow up hearing and reading mother goose and other “children’s” tales. I listened to recordings of talking trains, and of pumpkins that turned into coaches, so it is no wonder that I can perceive an essence of the unseen in so-called inanimate objects.
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